![]() “Each of them has her own way of expressing female power,” she said.Īs world spanning as all this brand projection was, it had started with Vanhee-Cybulski working alone. For Vanhee-Cybulski, the point in collaborating with two women choreographers was to place the creative female gaze center stage. It was about resilience.” Pandemic be damned, she’d resolved to give the traditional rite of the Paris Fashion Week runway show its due (since there’s nothing more vital than upholding Hermès tradition), while also reaching out to touch audiences that can’t travel. “The message to the world is that I have this conviction of designing clothes for a confident woman. “It’s urgent now to live again,” she said. In today’s unfolding of events, Vanhee-Cybulski’s ambitious plan to defy physical distance worked seamlessly. Opening with a dance performance choreographed by Madeline Hollander in New York, it cut to the fashion show in Paris with models and Vanhee-Cybulski-who gave a wave in an Hermès-orange face mask-and finally hopscotched to Shanghai for the second dance piece, directed by Gu Jiani in front of a live audience. In a logistical feat of timing on the morrow, she was-without a single sign of nerves-about to launch a rolling livestreamed series of Hermès happenings on three continents. ![]() ![]() ![]() “It was important to keep this experience live-to have the specific adrenaline of a show,” Nadège Vanhee-Cybulski was saying last night as the final fittings for the Hermès collection were being finished in Paris. ![]()
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